Consent: Interdisciplinary Forum - Ian Potter Museum of Art

Consent: Interdisciplinary Forum

29 Nov 2021 — 01 Dec 2021

What does consent look like today?

The past decade has seen a seismic shift in society’s understandings of consent across interpersonal, institutional, colonial and environmental contexts. The conversation around consent has been urgent, swirling and contested. At its heart are questions of agency, respect, recognition, sovereignty, visibility and empathy. It is the site where systemic change is enacted, and where we negotiate power on an individual level.

Against this backdrop we ask, have learnings from #MeToo, decolonisation, queer and body politics and even the COVID-19 pandemic had an impact on the ways we act, engage and communicate with one another?

View below the Ian Potter Museum of Art annual Interdisciplinary Forum, which highlights artmaking as a form of knowledge creation alongside other academic fields of inquiry. Building on previous themes of WATER, LANGUAGE and MACHINE, our 2021 theme was CONSENT, where University of Melbourne experts discussed the dynamics, implications and stakes of this concept, which is central to our lives.

Across three afternoons, our online forum sessions explored consent through five key areas: COVID-19, decolonisation, data and the consumer, human and non-human relations, and bodily autonomy. Some of the country’s leading voices in criminology, creative writing, marketing, law, digital ethics and computing, science and technology, health and design presented, alongside creative commissions from Luke George and Debris Facility Pty Ltd.

The Potter’s annual interdisciplinary forum program series was co-presented with the Centre of Visual Art (CoVA) at the University of Melbourne.  

Abstracts for our speakers’ presentations for all sessions can be found here:

CONSENT Forum Abstracts


DAY 1 | Tuesday 30 November | starting 2pm

Introduction and welcome
Rose Hiscock | Director Museums and Collections, the University of Melbourne 

This session opened with a keynote address on consent by Professor Clare Delany.

Our speakers for the session on COVID-19 each gave 10-minute presentations before joining a 15-minute panel discussion chaired by Professor Delany. 

KEYNOTE ADDRESS: Consent: Layers of Meaning
Clare Delany 

The idea of consent has many layers. Visible elements include information given by one person followed by voluntary agreement given by another person Рwho has capacity to understand the information and choices available. But beneath these formal elements of information exchange, are much richer layers of meaning about what it means to respect, empower and promote a person’s autonomy and autonomous choices. This keynote address will discuss ethical meanings of autonomy and how these philosophical ideas can enrich our understanding and transform our practice of consent across many disciplinary fields and in our communication with others. 

Professor¬†Clare Delany¬†is a Clinical Ethicist at the Royal Children‚Äôs Hospital Children‚Äôs Bioethics and at Peter MacCallum Cancer Centre in Melbourne. She is also a Professor in Health Professions Education in the Department of Medical Education, Melbourne Medical School. Clare teaches and conducts research in health ethics, health professions education, applied clinical ethics, critical thinking and clinical and ethical reasoning.‚ÄĮ‚ÄĮ¬†


Spatial Injustice in the Pandemic City 
Alison Young 

Alison Young is the Francine V. McNiff Professor of Criminology in the School of Social and Political Sciences at the University of Melbourne. She is the author of several books including Street Art World (2016), Street Art, Public City (2014) and Judging the Image (2005), and numerous articles on the intersection of law, crime and public space. She is currently conducting research on the atmospheres on lockdown in the covid-129 pandemic, and an ARC-funded project on legal, social and municipal responses to public homelessness and public dissent. She is the Deputy Director of the recently established Melbourne Centre for Cities. 

Surveillance Technologies: Considerations of¬†Consent in COVID-19‚ÄĮ‚ÄĮ¬†
Gabby Bush and Simon Coghlan  

Gabby¬†Bush¬†is the program manager at the Centre for AI and Digital Ethics (CAIDE). In this role, Gabby coordinates the work of CAIDE, including engagement, research dissemination, grants and projects, including work on monitoring and surveillance, bias in algorithms and the CAIDE research stream in Art, AI and Digital Ethics. Gabby joined the‚ÄĮCentre‚ÄĮfrom Canberra, where she spearheaded engagement and partnerships in technology and development. Prior to that Gabby ran the‚ÄĮeGovernance‚ÄĮand‚ÄĮDigitisation‚ÄĮproject for the United Nations Development‚ÄĮProgram‚ÄĮin Samoa. Gabby hails from Aotearoa, New Zealand and has postgraduate qualifications in International Development and Religious Studies.‚ÄĮ‚ÄĮ¬†
Dr¬†Simon Coghlan¬†is a moral philosopher and a senior research fellow in the Centre for AI and Digital Ethics (CAIDE) and the School of Computing and Information Systems (CIS). Simon’s research in digital ethics includes care robots for older people, animal-computer interaction, and digital technologies in healthcare and public health.‚ÄĮ¬†

The Willingly Unvaccinated: What Will Democracy Tolerate?  
Darrin Durant  

Dr¬†Darrin¬†Durant¬†is senior lecturer of science and technology studies at the University of Melbourne. His research focuses on the relation between experts and citizens in‚ÄĮpublic policy‚ÄĮdiscussions, where issues are both‚ÄĮtechnically‚ÄĮcontested‚ÄĮand politically‚ÄĮdivisive. His‚ÄĮempirical research‚ÄĮfocuses‚ÄĮon‚ÄĮenvironmental and‚ÄĮenergy politics, including climate change and nuclear power,‚ÄĮand disinformation practices‚ÄĮwithin democracies. His‚ÄĮmost recent book is‚ÄĮExperts and the Will of the People: Society, Populism and Science‚ÄĮ(2020).‚ÄĮ¬†

Panel discussion chaired by Professor Clare Delany 



DAY 2 | Wednesday 1 December | starting 2pm


Introduction and welcome

Dr Simon Maidment | Associate Director | Art Museums, Museums and Collections; Director | Ian Potter Museum of Art; Buxton Contemporary; Old Quad  

Our speakers for this session each gave 10-minute presentations before joining a 15-minute panel discussion chaired by Professor Barry Judd. 

Lawful Relations: archive, agency, consent? 
Ann Genovese and Crystal McKinnon 

Associate Professor Ann Genovese‚ÄĮteaches‚ÄĮat‚ÄĮMelbourne Law School. She is an Australian historian, and¬†a‚ÄĮfeminist‚ÄĮjurisprudent, and researches the relationship between Law and History as disciplines and practices; the nature of legal archives and the responsibilities of custodians and writers towards them; and the techniques necessary to show how Australian people have lived with their law. She has explored these interrelated concerns across multiple sites and publicly funded projects, and her work has been integral to the establishment of an emergent practice,‚ÄĮJurisography. She is part of the team on the ARC funded‚ÄĮproject Lawful relations: Encounter to treaty.‚ÄĮ¬†‚ÄĮ¬†

Dr Crystal McKinnon is an Amangu Yamatji academic, researcher and community organiser. She is a historian and a critical Indigenous studies scholar who is a Vice Chancellor’s Indigenous Research Fellow at RMIT University, and a Visiting Fellow at the Indigenous Law and Justice Hub at the Melbourne Law School.  Her research work has looked at concepts of Indigenous sovereignty, justice and law, and Indigenous social movements, resistance and protest. Crystal is the co-editor of Aboriginal History journal, and of History, Power and Text: Cultural Studies and Indigenous Studies (UTS ePress, 2014), and her work has been published in many books and journals. Crystal has previously worked in both the Aboriginal community organisation and the community legal centre sectors.  

Reframing the repatriated object: Uncovering New Meaning from Consented Access to Re(ma)triated Knowledge Sharing  
Vanessa Russ¬†‚ÄĮ‚ÄĮ¬†

Academic and artist¬†Dr Vanessa Russ¬†is the former Associate Director at The Berndt Museum of Anthropology, UWA. With family connections to‚ÄĮNgarinyin/Giga community in the Kimberley region, Russ is the inaugural recipient of the‚ÄĮAsialink‚ÄĮLeaders Program Indigenous Fellowship and Churchill Fellow 2014. She recently published‚ÄĮA History of Aboriginal Art in the Art Gallery of New South Wales‚ÄĮ(Routledge, 2021). Her current research interests include Western Australian art history and the gaps, and the potential for reframing Australian art history through an Asian lens in search of an inclusive approach to Aboriginal Australian art. Russ currently works with‚ÄĮProfessor Marica Langton at the Indigenous Studies Unit, Centre for Health Equity, Melbourne School of Population & Global Health.‚ÄĮ¬†

Decolonising the archive through the re(a)-performance of the blak body
r e a 

Image: r e a,¬†PolesApart¬†2 (2b),¬†2009, single image from original c-type photographic triptych from ‚ÄėPolesApart‚Äô series 2009 ¬© the artist


r e a (aka. Dr Rea Saunders and/or Rea Noir) is an experimental interdisciplinary artist, activist from the Gamilaraay / Wailwan / Biripi nations, NSW. r e a is a lecturer in the Aboriginal and Torres Strait Islander Studies Unit at the University of Queensland. r e a’s research-led practice explores the intersectionality and positionality of gender and identity politics of the blak body, through the cultural convergence of Aboriginality, in the arts, technology, history through the lens of colonialism. Their research engages in the decolonisation of the archive through the sensorial, which repositions their work in a radical space of Indigenisation and sovereignty. 

Panel discussion chaired by Professor Barry Judd

Professor Barry Judd is Director of Indigenous Studies at the University of Melbourne. He is¬†a descendent of the Pitjantjatjara people of north-west South Australia, British immigrants, and Afghan cameleers. Barry is committed to the research of issues that impact Aboriginal peoples who live in the arid inland. He is a leading Australian scholar¬†on the subject of Aboriginal¬†participation in Australian sports. Barry’s main research interest is in issues about identity ‚Äď what kind of Australian identities have been formed out of the colonial contact between Aboriginal and non-Aboriginal peoples in Australia. His research focuses on Aboriginal people in sport as a way of engaging the broader population in difficult questions around the place of indigenous people in Australian society.¬†



Introduction and welcome

Our speakers for this session each gave 10-minute presentations before joining a 15-minute panel discussion chaired by Professor Jeannie Paterson. This was followed by User Aggrievance, a 15-minute creative presentation by Debris Facility Pty Ltd. 

Consumer Consent: Assumptions, Agency and Enmeshment
Michal Carrington 

Dr¬†Michal Carrington¬†is a marketing academic at the University of Melbourne, with a focus on consumer culture and consumer ethics. Michal publishes research widely in top-tier international marketing and business journals, as well as media outlets such as The Conversation, and has published books and book chapters in these topic areas. Michal is co-section editor of the Journal of Business Ethics (Consumer Ethics). Michal holds a BEng (Hons) in Mechanical Engineering from the University of Melbourne, and a PhD in Marketing also from the University of Melbourne. Prior to entering academia, Michal worked for Unilever in Australia and the UK.‚ÄĮ‚ÄĮ¬†

Informed? Consent: New Health Tech and Data Proliferation  
Megan Prictor‚ÄĮ¬†

Dr Megan Prictor‚ÄĮis Senior Research Fellow at Melbourne Law School and the University‚Äôs Centre for Digital Transformation of Health.‚ÄĮ Her work ranges across diverse digital technologies in healthcare with a focus on the nexus between consumers and clinicians.‚ÄĮ She is a 2021‚ÄĮDyason‚ÄĮFellow, conducting research on governance of secondary use of health data with the University of Auckland,‚ÄĮand also‚ÄĮholds a University of Melbourne Early Career Researcher grant to investigate genomic data protection and disclosure via networked electronic medical records.‚ÄĮ Other workstreams examine the law‚Äôs application to healthcare consultation recording, dynamic consent and clinician decision support software.‚ÄĮ‚ÄĮ¬†

The Visibility Trap: Surveillance, Pedagogy, Consent  
Tyne Sumner

Dr¬†Tyne Sumner¬†is a Postdoctoral Research Fellow in the School of Culture and Communication at the University of Melbourne. Her work explores the relationship between literature and surveillance with a focus on questions of privacy, identity, confession, and subjectivity in the context of digital technology and the increasing datafication of everyday life. She also researches and teaches digital humanities, digital ethics, cultural data, and digital research skills. Her first monograph is‚ÄĮLyric Eye: The Poetics of Twentieth-Century Surveillance‚ÄĮ(Routledge, 2021).‚ÄĮ‚ÄĮ¬†

Panel discussion chaired by Professor Jeannie Paterson 

Jeannie Marie Paterson‚ÄĮis a Professor of Law at The University of Melbourne. Jeannie is the co-director of the Centre for AI and Digital Ethics (CAIDE), a new collaborative, interdisciplinary research, teaching and policy‚ÄĮcentre‚ÄĮat the University of Melbourne. Jeannie is also the Co-leader of the Digital Ethics research stream at the Melbourne Social Equity Institute and a member of the Advisory Board for the Australian Society of Computers and the Law. Jeannie‚Äôs research and teaching focus on consumer protection and the regulation of new digital technologies for effective, fair and safe outcomes.‚ÄĮ¬†

Debris Facility Pty Ltd

User Aggrievance – Debris Facility Pty Ltd, 2021

Debris Facility (them/all) is a white settler, queer body corporate found-dead in 2015. As a corporate entity our activities utilise a parasite methodology which ensnares processes of neoliberal identity construction and industrial commodification. They produce wearable works, installations, text, design, performances and interventions which respond to specific contexts and coworkers. They extend their research and pedagogical work through contracts with Liquid Architecture and Victorian College of the Arts. They prolifically exhibit and produce works in local, national and international contexts, in galleries, performance spaces, publications and within (and without) industry. Their work is held in numerous private collections and landfill. They work 24/7 on the stolen lands of the Kulin Nation. 


DAY 3 | Thursday 2 December | starting 2pm


Our speakers for this session each gave 10-minute presentations before joining a 15-minute panel discussion chaired by Stephanie Lavau.  

Living and Dying in the Gallery: Animals as Art
Barbara Creed

Barbara Creed is a Redmond Barry Distinguished Professor Emeritus in the School of Culture & Communication at the University of Melbourne. She is the author of a number of influential books on feminism, sexuality, film and media, including The Monstrous-Feminine: Film, Feminism, Psychoanalysis (1993). Creed’s recent research is on animal studies, the inhuman and social justice issues. In 2006 she was elected to the Australian Academy of the Humanities and she is currently the director of the Human Rights and Animal Ethics Research Network (HRAE) at the University of Melbourne. She is the author of Stray: human/animal ethics in the Anthropocene (2016).

‚ÄúYou are stealing their future in front of their very eyes!‚ÄĚ (Greta Thunberg, COP24, Poland, Dec 2018):¬†Climate¬†Change,¬†Inter-generational¬†Justice and the¬†Courts
Jacqueline Peel

Jacqueline (Jackie) Peel¬†is a‚ÄĮProfessor‚ÄĮof environmental and climate law at the Melbourne Law School and Director of the University‚Äôs Melbourne Climate Futures initiative. She is a world leading expert on the topic of climate action in the courts, with several books, articles, policy reports and media appearances on this issue. Jackie presently serves as a Lead Author on Working Group III of the Intergovernmental Panel‚ÄĮof‚ÄĮClimate Change for its Sixth Assessment Report, looking at the effectiveness of the Paris Agreement and international cooperation on climate change mitigation.‚ÄĮ¬†

Groundwater Stories: Poetry’s Ecocritical Subterrain
A. Frances Johnson

Image: ‚ÄėBuggies and sulkies in dry bed of Murray River near ‚ÄúRiversdale‚ÄĚ during drought ‚Äď Myall, NSW‚Äô, From At ‘Work and Play – images of rural life in NSW’ 1880-1940, State Library of New South Wales, Record 891


Associate Professor A. Frances Johnson¬†won the 2020 ABR international Peter Porter Poetry Prize. Recent poetry collections include‚ÄĮSave As‚ÄĮ(Puncher and‚ÄĮWattmann‚ÄĮ2021) and‚ÄĮRendition for Harp and Kalashnikov‚ÄĮ(Puncher and‚ÄĮWattmann‚ÄĮ2017), the latter shortlisted in the 2018 Melbourne Prize for Literature Best New Writing Award. A novel,‚ÄĮEugene’s Falls‚ÄĮ(Arcadia 2007), retraces the journeys of colonial painter Eugene von Guerard. A new art-and-writing writing project,‚ÄĮThe Lost Garden, explores first-contact histories in remote Southern Tasmania, evoking early horticultural attempts to colonise‚ÄĮby seed. A monograph,‚ÄĮAustralian Fiction as Archival Salvage,‚ÄĮwas published by Brill in 2015. She teaches Poetry and Poetics and Contemporary Eco-fiction at the University of Melbourne.‚ÄĮ‚ÄĮ¬†

Panel discussion chaired by Stephanie Lavau 

Dr¬†Stephanie Lavau¬†is a Senior Lecturer in Interdisciplinary Environmental Practice at The University of Melbourne.‚ÄĮ Her socio-cultural environmental research focuses on environmental management, knowledge and governance, particularly in relation to urban water management, biodiversity conservation, and biosecurity.‚ÄĮ Stephanie‚Äôs research creates convergences between environmental sociology, science and technology studies, human geography, and environmental anthropology. ‚ÄĮCore themes within her work¬†include:¬†knowledge practices as world-making; contested natures; and civic ecologies.‚ÄĮ Stephanie lives and works on the unceded lands of the Wurundjeri people of the Kulin Nation. ‚ÄĮ



Introduction and welcome

Our speakers for this session each gave 10-minute presentations before joining a 15-minute panel discussion chaired by Vikki McInnes. This was followed by Risk and Intimacy, a creative presentation by Luke George. 

Achieving Justice for Sexual Violence: Moving Beyond the Limits of Consent and Criminal Law  
Bianca Fileborn 

Dr Bianca‚ÄĮFileborn‚ÄĮ(she/they) is a DECRA Research Fellow and Senior Lecturer in Criminology in the School of Social and Political Sciences, University of Melbourne. Bianca‚Äôs current research includes a focus on victim-centred justice responses to street-based harassment, sexual violence and LGBTQ+ communities, harassment in rideshare and taxi services, and gender-based violence in the music industry, live music spaces and the night-time economy. They are the author of‚ÄĮReclaiming the Night-Time Economy: Unwanted Sexual Attention in Pubs and Clubs,‚ÄĮand co-editor of‚ÄĮ#MeToo and the Politics of Social Change,‚ÄĮand the forthcoming‚ÄĮGeographies of Gender-Based Violence.‚ÄĮ¬†

Sexual Harassment and¬†Unwelcomeness ‚ÄstLegal¬†Standard and¬†Social¬†Stereotypes¬†
Beth Gaze 

Beth Gaze¬†is a Professor in the Melbourne Law School.‚ÄĮ She teaches and‚ÄĮresearches‚ÄĮin anti-discrimination‚ÄĮlaw including‚ÄĮharassment. She has‚ÄĮconsulted‚ÄĮto both state and federal government on law‚ÄĮreform‚ÄĮin these¬†areas, and¬†has conducted legal and‚ÄĮempirical‚ÄĮresearch. Her most recent book is‚ÄĮEquality‚ÄĮand Discrimination‚ÄĮLaw in‚ÄĮAustralia: An‚ÄĮIntroduction‚ÄĮ(2017, with Belinda‚ÄĮSmith).‚ÄĮ¬†

Permission: Gender Nonconformity, Consent & Public Space 
Simona Castricum  

Simona Castricum is a multidisciplinary creative and academic working at the intersection of music and architecture. Her work explores queer and trans intersections in architecture, public space, and civic life. Simona is an educator and PhD candidate in Architecture, the Melbourne School of Design at the University of Melbourne where she is exploring gender nonconforming and queer spatial production in the city, architecture and public space through musical communities and her lived experience as a musician and DJ. She is an associate of Parlour: women, equity, architecture, and a community radio broadcaster at 3RRR Melbourne.

Panel discussion chaired by Vikki McInnes  

Vikki McInnes is Lecturer in Art at the Victorian College of the Arts, and coordinator of the Master of Fine Art (Visual Art) program. She has worked at the VCA since 2005 and was Director, Margaret Lawrence Gallery until 2015. In 2009, with Kate Barber, she established Sarah Scout Presents, a private gallery committed to representing and developing opportunities for early to mid-career artists with critically engaged conceptual practices. She is also co-founder of the contemporary art fair Spring1883 and currently undertaking a PhD at the University of Melbourne considering contemporary feminist art practice and the archive in Australia.  

Risk and Intimacy 
Luke George 

Public Actions by Luke George and collaborators – Arts House, Dance Massive 2019 Photo: Pippa Samaya


Luke George¬†creates new choreographic and visual work that takes daring and at times, unorthodox methods, to explore new intimacies and connections between artist and audience. Luke‚Äôs artistic practice is informed by queer politics, whereby people are neither singular nor isolated; bodies of difference can intersect, practice mutual listening, take responsibility for themselves and one another. He sees dance less as spectacle than as reflexive practice, in which people examine themselves and their values through movement and interaction. He is concerned with relational politics, examining the dynamics of intimacy and collectivity to create ‚Äėsafe spaces‚Äô that allow for care as well as risk.¬†¬†